| I think the best pictures are often on the edges | "Simply look with perceptive eyes at the |
| of any situation, I don't find photographing the | world about you, and trust to your own |
| situation nearly as interesting as | reactions and convictions. Ask yourself: |
| photographing the edges. - William Albert | "Does this subject move me to feel, think |
| Allard | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| No place is boring, if you've had a good | convey - from the subject before me?" |
| night's sleep and have a pocket full of | - Ansel Adams |
| unexposed film. - Robert Adams | |
| | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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New York |
Kansas City |
Houston |
Cleveland |
Vineland |
Topeka |
Newport News |
Stamford |
Pensacola |
Watsonville |
Quakertown |
Round Rock |
Ashland |
Boone |
Bend |
Eastman |
Glendale |
Starkville |
Pittsford |
Decatur |
Surfside Beach |
Palatka |
Chicago |
Daly City |
Westbury |
Ruidoso |
Sallisaw |
Panama City Beach |
Mt. Pleasant |
El Monte |
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| A mad, keen photographer needs to get out | You've got to push yourself harder. You've got |
| into the world and work and make mistakes. | to start looking for pictures nobody else could |
| - Sam Abell | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Memory is very important, the memory of |
| artist, but the impulse it gives him to keep on | each photo taken, flowing at the same speed |
| looking. - Brooks Anderson | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| My own eyes are no more than scouts on a | captured everything, because afterwards it will |
| preliminary search, for the camera's eye may | be too late. - Henri Cartier Bresson |
| entirely change my idea. - Edward | |
| Weston | |
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