| Once photography enters your bloodstream, | One should really use the camera as though |
| it's like a disease. - Anon | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | A mad, keen photographer needs to get out |
| reactions and convictions. Ask yourself: | into the world and work and make mistakes. |
| "Does this subject move me to feel, think | - Sam Abell |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography suits the temper of this ageof |
| convey - from the subject before me?" | active bodies and minds. It is a perfect |
| - Ansel Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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New York |
Brooklyn |
St. Louis |
Tampa |
Springfield |
Fort Myers |
Minneapolis |
New Iberia |
Roseburg |
Merrill |
Florence |
Bay City |
Cheektowaga |
Detroit Lakes |
Wagoner |
Lafayette |
Huntington Beach |
Rockford |
Merced |
Trumbull |
Centreville |
Canton |
Vernon Hills |
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| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | No place is boring, if you've had a good |
| take. You've got to take the tools you have and | night's sleep and have a pocket full of |
| probe deeper. - William Albert Allard | unexposed film. - Robert Adams |
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