| It is not the language of painters but the | You can find pictures anywhere. It's simply a |
| language of nature which one should listen to. | matter of noticing things and organizing them. |
| . . . The feeling for the things themselves, for | You just have to care about what's around you |
| reality, is more important than the feeling for | and have a concern with humanity and the |
| pictures. - Vincent Van Gogh | human comedy. - Elliott Erwitt |
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| [Photography] is a way of feeling, of touching, | A great photograph is one that fully expresses |
| of loving. What you have caught on film is | what one feels, in the deepest sense, about |
| captured forever . . . it remembers little things, | what is being photographed. - Ansel |
| long after you have forgotten everything. | Adams |
| - Aaron Siskind | |
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Chicago |
Los Angeles |
Kansas City |
Portland |
Toledo |
Flint |
Plano |
Littleton |
Cape Coral |
Cherry Hill |
Decatur |
Long Beach |
Ellicott City |
Auburn |
Milford |
Mountain View |
Canton |
Coral Gables |
Rutherford |
Topeka |
Indianapolis |
Warrenville |
Plainview |
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| One should really use the camera as though | Pictures you have taken have an influence on |
| tomorrow you'd be stricken blind. | those that you are going to make. |
| - Dorothea Lange | That's life! - John Sexton |
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| My own eyes are no more than scouts on a | I think you have to have a real point of view |
| preliminary search, for the camera's eye may | that's your own. You have to tell it your way. |
| entirely change my idea. - Edward | And, I think that it's a mistake to shoot for a |
| Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| The virtue of the camera is not the power it | for yourself and photograph [the way] you |
| has to transform the photographer into an | believe it. - Mary Ellen Mark |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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