| Pictures you have taken have an influence on | A mad, keen photographer needs to get out |
| those that you are going to make. | into the world and work and make mistakes. |
| That's life! - John Sexton | - Sam Abell |
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| Photography is a major force in explaining | I almost never set out to photograph a |
| man to man. - Edward Steichen | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| You've got to push yourself harder. You've got | unless I absolutely need a 'record shot'. My |
| to start looking for pictures nobody else could | first thought is always of light. - Galen |
| take. You've got to take the tools you have and | Rowell |
| probe deeper. - William Albert Allard | |
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Houston |
Las Vegas |
Pittsburgh |
Cape Girardeau |
Pomona |
Ogden |
Kankakee |
Winona |
Palestine |
Saratoga Springs |
Temecula |
Houma |
Tallulah |
Hurricane |
Youngstown |
Bristol |
Yorba Linda |
Lancaster |
Riverton |
Shepherdstown |
Mystic |
Victorville |
Nederland |
Maple Grove |
Point Clear |
Manistique |
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| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
| | |
| It is not the language of painters but the | You can find pictures anywhere. It's simply a |
| language of nature which one should listen to. | matter of noticing things and organizing them. |
| . . . The feeling for the things themselves, for | You just have to care about what's around you |
| reality, is more important than the feeling for | and have a concern with humanity and the |
| pictures. - Vincent Van Gogh | human comedy. - Elliott Erwitt |
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