| ...words and pictures can work together to | The camera makes everyone a tourist in other |
| communicate more powerfully than either | people's reality. - Susan Sontag |
| alone. -William Albert Allard | |
| | The difficulty with color is to go beyond the |
| Photography records the gamut of feelings | fact that it's color to have it be not just a |
| written on the human face, the beauty of the | colorful picture but really be a picture about |
| earth and skies that man has inherited and the | something. It's difficult. So often color gets |
| wealth and confusion man has created. | caught up in color, and it becomes merely |
| - Edward Steichen | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Roanoke |
Pensacola |
Poughkeepsie |
Portsmouth |
Hendersonville |
Ogden |
Hershey |
Parkersburg |
Layton |
Lewiston |
St. Peters |
Solana Beach |
New Iberia |
Hinckley |
Vicksburg |
Jacksonville Beach |
Sylmar |
Hermosa Beach |
Benton |
Hurricane |
Valley |
Teton Village |
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| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
| | A picture is the expression of an impression. If |
| "Simply look with perceptive eyes at the | the beautiful were not in us, how would we |
| world about you, and trust to your own | ever recognize it? - Ernst Haas |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | A good picture is equivalent to a good deed. |
| and dream? Can I visualize a print - my own | - Vincent Van Gogh |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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