| Keep it simple. - Alfred Eienstaedt | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A picture is the expression of an impression. If | earth and skies that man has inherited and the |
| the beautiful were not in us, how would we | wealth and confusion man has created. |
| ever recognize it? - Ernst Haas | - Edward Steichen |
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| I think the best pictures are often on the edges | You've got to push yourself harder. You've got |
| of any situation, I don't find photographing the | to start looking for pictures nobody else could |
| situation nearly as interesting as | take. You've got to take the tools you have and |
| photographing the edges. - William Albert | probe deeper. - William Albert Allard |
| Allard | |
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Orlando |
Virginia Beach |
San Antonio |
Tallahassee |
Portland |
Detroit |
Meridian |
Manassas |
Gaylord |
Torrance |
Pensacola |
Wapakoneta |
Leesville |
Mount Pleasant |
Jackson |
Buena Vista |
Roslyn |
Jackson |
Lafayette |
Greer |
Lisle |
Mission Hills |
Ocean Springs |
St. Simons Island |
Niantic |
Cedar Hill |
Selmer |
Haw River |
Fife |
Watertown |
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| Now to consult the rules of composition before | A mad, keen photographer needs to get out |
| making a picture is a little like consulting the | into the world and work and make mistakes. |
| law of gravitation before going for a walk. | - Sam Abell |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | The difficulty with color is to go beyond the |
| reflection . . . - Edward Weston | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| It is not the language of painters but the | something. It's difficult. So often color gets |
| language of nature which one should listen to. | caught up in color, and it becomes merely |
| . . . The feeling for the things themselves, for | decorative. Some photographers use [ it ] |
| reality, is more important than the feeling for | brilliantly to make visual statements combining |
| pictures. - Vincent Van Gogh | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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