| Keep it simple. - Alfred Eienstaedt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| Sometimes you can tell a large story with a | entirely change my idea. - Edward |
| tiny subject. - Eliot Porter | Weston |
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| A picture is the expression of an impression. If | The difficulty with color is to go beyond the |
| the beautiful were not in us, how would we | fact that it's color to have it be not just a |
| ever recognize it? - Ernst Haas | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| I think the best pictures are often on the edges | caught up in color, and it becomes merely |
| of any situation, I don't find photographing the | decorative. Some photographers use [ it ] |
| situation nearly as interesting as | brilliantly to make visual statements combining |
| photographing the edges. - William Albert | color and content; otherwise it is empty. |
| Allard | - Mary Ellen Mark |
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Houston |
Philadelphia |
Miami |
Sarasota |
Chicago |
Jackson |
Wilmington |
Grand Rapids |
Rocky Mount |
Booneville |
Tulsa |
Palatka |
Arlington Heights |
Hasbrouck Heights |
Malvern |
Sioux City |
Palo Alto |
Rowlett |
West Palm Beach |
Mansfield Center |
North Miami |
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| Photography is about finding out what can | There is nothing worse than a sharp image of |
| happen in the frame. When you put four | a fuzzy concept. - Ansel Adams |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | It is not the language of painters but the |
| | language of nature which one should listen to. |
| Photography knows how to authenticate its | . . . The feeling for the things themselves, for |
| misrepresentations. - Mason Cooley | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | Photography takes an instant out of time, |
| And, I think that it's a mistake to shoot for a | altering life by holding it still. - Dorothea |
| specific magazine's point of view because it's | Lange |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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