| Pictures you have taken have an influence on | "Simply look with perceptive eyes at the |
| those that you are going to make. | world about you, and trust to your own |
| That's life! - John Sexton | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| ...words and pictures can work together to | and dream? Can I visualize a print - my own |
| communicate more powerfully than either | personal statement of what I feel and want to |
| alone. -William Albert Allard | convey - from the subject before me?" |
| | - Ansel Adams |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | Once photography enters your bloodstream, |
| as the event. During the work, you have to be | it's like a disease. - Anon |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|
|
Seattle |
Oklahoma City |
San Bernardino |
Woodbridge |
Roswell |
Poughkeepsie |
Summit |
Dearborn |
Mount Kisco |
Savannah |
Childress |
Danville |
Lombard |
Palm Coast |
Stone Mountain |
Newark |
St. Clairsville |
Novato |
Elizabethtown |
Woodbridge |
Mount Sterling |
Livingston |
Clinton |
Ashland |
Kankakee |
Walland |
Hamilton |
Santa Clara |
Bethel |
|
|
| A mad, keen photographer needs to get out | A good picture is equivalent to a good deed. |
| into the world and work and make mistakes. | - Vincent Van Gogh |
| - Sam Abell | |
| | Keep it simple. - Alfred Eienstaedt |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | I think the best pictures are often on the edges |
| colorful picture but really be a picture about | of any situation, I don't find photographing the |
| something. It's difficult. So often color gets | situation nearly as interesting as |
| caught up in color, and it becomes merely | photographing the edges. - William Albert |
| decorative. Some photographers use [ it ] | Allard |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|