| The camera makes everyone a tourist in other | Memory is very important, the memory of |
| people's reality. - Susan Sontag | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| I almost never set out to photograph a | sure that you haven't left any holes, that you've |
| landscape, nor do I think of my camera as a | captured everything, because afterwards it will |
| means of recording a mountain or an animal | be too late. - Henri Cartier Bresson |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | Photography knows how to authenticate its |
| Rowell | misrepresentations. - Mason Cooley |
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Houston |
Brooklyn |
Mesa |
Spokane |
Florissant |
Sunnyvale |
Decatur |
Morristown |
Bartlesville |
Wilmington |
Evansville |
Ozark |
Johnston |
Chattanooga |
Hattiesburg |
Atlantic City |
Bristol |
Dothan |
Dell Rapids |
Teton Village |
Jacksonville |
Woodway |
Fishkill |
Astoria |
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| [Photography] is a way of feeling, of touching, | Keep it simple. - Alfred Eienstaedt |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | A great photograph is one that fully expresses |
| long after you have forgotten everything. | what one feels, in the deepest sense, about |
| - Aaron Siskind | what is being photographed. - Ansel |
| | Adams |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | A picture is the expression of an impression. If |
| law of gravitation before going for a walk. | the beautiful were not in us, how would we |
| Such rules and laws are deduced from the | ever recognize it? - Ernst Haas |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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