| A good picture is equivalent to a good deed. | Photography suits the temper of this ageof |
| - Vincent Van Gogh | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| A great photograph is one that fully expresses | ideas, imagery, for a prolific worker who |
| what one feels, in the deepest sense, about | would be slowed down by painting or |
| what is being photographed. - Ansel | sculpting, for one who sees quickly and acts |
| Adams | decisively, accurately. - Edward Weston |
| | |
| You can find pictures anywhere. It's simply a | I almost never set out to photograph a |
| matter of noticing things and organizing them. | landscape, nor do I think of my camera as a |
| You just have to care about what's around you | means of recording a mountain or an animal |
| and have a concern with humanity and the | unless I absolutely need a 'record shot'. My |
| human comedy. - Elliott Erwitt | first thought is always of light. - Galen |
| | Rowell |
|
|
Miami |
Oklahoma City |
Memphis |
Farmington |
Medina |
Roanoke |
Butler |
Portsmouth |
Pawtucket |
Grants Pass |
Prestonsburg |
Port Angeles |
Kosciusko |
Marshfield |
Big Spring |
Port Allen |
Yukon |
Edwardsville |
Kutztown |
Gallipolis |
Liberty |
Temple Terrace |
Jersey City |
Pottstown |
Santa Fe |
Sturgeon Bay |
|
|
| I think you have to have a real point of view | Photography takes an instant out of time, |
| that's your own. You have to tell it your way. | altering life by holding it still. - Dorothea |
| And, I think that it's a mistake to shoot for a | Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Photography is my passion. - Alfred |
| for yourself and photograph [the way] you | Stieglitz |
| believe it. - Mary Ellen Mark | |
| | "Simply look with perceptive eyes at the |
| Memory is very important, the memory of | world about you, and trust to your own |
| each photo taken, flowing at the same speed | reactions and convictions. Ask yourself: |
| as the event. During the work, you have to be | "Does this subject move me to feel, think |
| sure that you haven't left any holes, that you've | and dream? Can I visualize a print - my own |
| captured everything, because afterwards it will | personal statement of what I feel and want to |
| be too late. - Henri Cartier Bresson | convey - from the subject before me?" |
| | - Ansel Adams |
|