| Sometimes you can tell a large story with a | Pictures you have taken have an influence on |
| tiny subject. - Eliot Porter | those that you are going to make. |
| | That's life! - John Sexton |
| Keep it simple. - Alfred Eienstaedt | |
| | I think you have to have a real point of view |
| A picture is the expression of an impression. If | that's your own. You have to tell it your way. |
| the beautiful were not in us, how would we | And, I think that it's a mistake to shoot for a |
| ever recognize it? - Ernst Haas | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| You can find pictures anywhere. It's simply a | for yourself and photograph [the way] you |
| matter of noticing things and organizing them. | believe it. - Mary Ellen Mark |
| You just have to care about what's around you | |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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| My own eyes are no more than scouts on a | Photography takes an instant out of time, |
| preliminary search, for the camera's eye may | altering life by holding it still. - Dorothea |
| entirely change my idea. - Edward | Lange |
| Weston | |
| | Once photography enters your bloodstream, |
| The difficulty with color is to go beyond the | it's like a disease. - Anon |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | There is nothing worse than a sharp image of |
| something. It's difficult. So often color gets | a fuzzy concept. - Ansel Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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