| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | The difficulty with color is to go beyond the |
| A good picture is equivalent to a good deed. | fact that it's color to have it be not just a |
| - Vincent Van Gogh | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| A great photograph is one that fully expresses | caught up in color, and it becomes merely |
| what one feels, in the deepest sense, about | decorative. Some photographers use [ it ] |
| what is being photographed. - Ansel | brilliantly to make visual statements combining |
| Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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New York |
Little Rock |
Nashville |
Marietta |
Stockton |
Charlotte |
Plano |
Hampton |
Newburgh |
Bloomington |
Pasadena |
Scottsdale |
Conroe |
Houma |
Blackfoot |
Port Huron |
Englewood |
La Mesa |
Hemphill |
Concord |
Folsom |
Westminster |
Macon |
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| Pictures you have taken have an influence on | Photography takes an instant out of time, |
| those that you are going to make. | altering life by holding it still. - Dorothea |
| That's life! - John Sexton | Lange |
| | |
| I think you have to have a real point of view | It is not the language of painters but the |
| that's your own. You have to tell it your way. | language of nature which one should listen to. |
| And, I think that it's a mistake to shoot for a | . . . The feeling for the things themselves, for |
| specific magazine's point of view because it's | reality, is more important than the feeling for |
| never going to be as good. You have to shoot | pictures. - Vincent Van Gogh |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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