| Photography is about finding out what can | One should really use the camera as though |
| happen in the frame. When you put four | tomorrow you'd be stricken blind. |
| edges around some facts, you change those | - Dorothea Lange |
| facts. - Gary Winogrand | |
| | Photography suits the temper of this ageof |
| Photography records the gamut of feelings | active bodies and minds. It is a perfect |
| written on the human face, the beauty of the | medium for one whose mind is teeming with |
| earth and skies that man has inherited and the | ideas, imagery, for a prolific worker who |
| wealth and confusion man has created. | would be slowed down by painting or |
| - Edward Steichen | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Philadelphia |
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Durham |
Oakland |
Baltimore |
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Syracuse |
Brooklyn |
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| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
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| Now to consult the rules of composition before | You can find pictures anywhere. It's simply a |
| making a picture is a little like consulting the | matter of noticing things and organizing them. |
| law of gravitation before going for a walk. | You just have to care about what's around you |
| Such rules and laws are deduced from the | and have a concern with humanity and the |
| accomplished fact; they are the products of | human comedy. - Elliott Erwitt |
| reflection . . . - Edward Weston | |
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