| One should really use the camera as though | A room hung with pictures is a room hung with |
| tomorrow you'd be stricken blind. | thoughts. - Sir Joshua Reynolds |
| - Dorothea Lange | |
| | A great photograph is one that fully expresses |
| The camera makes everyone a tourist in other | what one feels, in the deepest sense, about |
| people's reality. - Susan Sontag | what is being photographed. - Ansel |
| | Adams |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | A good picture is equivalent to a good deed. |
| colorful picture but really be a picture about | - Vincent Van Gogh |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Tampa |
Wilmington |
Thousand Oaks |
Binghamton |
Reading |
Columbia |
Rock Hill |
Fulton |
Princeton |
Garland |
Cape Canaveral |
Crossville |
Yazoo City |
Venice |
Syracuse |
Vicksburg |
Monroeville |
Greenville |
Clinton Township |
Newnan |
Simpsonville |
Essex Junction |
Greenville |
Whippany |
Morrisville |
Ashland |
Bedford |
Othello |
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| Photography is about finding out what can | [Photography] is a way of feeling, of touching, |
| happen in the frame. When you put four | of loving. What you have caught on film is |
| edges around some facts, you change those | captured forever . . . it remembers little things, |
| facts. - Gary Winogrand | long after you have forgotten everything. |
| | - Aaron Siskind |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | There is nothing worse than a sharp image of |
| as the event. During the work, you have to be | a fuzzy concept. - Ansel Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | "Simply look with perceptive eyes at the |
| be too late. - Henri Cartier Bresson | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|