| My own eyes are no more than scouts on a | Photography is my passion. - Alfred |
| preliminary search, for the camera's eye may | Stieglitz |
| entirely change my idea. - Edward | |
| Weston | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| A mad, keen photographer needs to get out | reactions and convictions. Ask yourself: |
| into the world and work and make mistakes. | "Does this subject move me to feel, think |
| - Sam Abell | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| I almost never set out to photograph a | convey - from the subject before me?" |
| landscape, nor do I think of my camera as a | - Ansel Adams |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | |
| Rowell | |
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Phoenix |
Pittsburgh |
St. Louis |
New Orleans |
St. Paul |
Salt Lake City |
Long Beach |
Vero Beach |
Clarksville |
Manchester |
Danville |
Gaffney |
Manchester |
Bothell |
Oneonta |
Cape Canaveral |
Longwood |
Cranford |
Springdale |
Burnsville |
Kinston |
Wayne |
North East |
Claremore |
Ruidoso |
White River Junction |
Gila Bend |
Philadelphia |
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| You've got to push yourself harder. You've got | You can find pictures anywhere. It's simply a |
| to start looking for pictures nobody else could | matter of noticing things and organizing them. |
| take. You've got to take the tools you have and | You just have to care about what's around you |
| probe deeper. - William Albert Allard | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | You learn to see by practice. It's just like |
| earth and skies that man has inherited and the | playing tennis, you get better the more you |
| wealth and confusion man has created. | play. The more you look around at things, the |
| - Edward Steichen | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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