| Memory is very important, the memory of | Sometimes you can tell a large story with a |
| each photo taken, flowing at the same speed | tiny subject. - Eliot Porter |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | No place is boring, if you've had a good |
| captured everything, because afterwards it will | night's sleep and have a pocket full of |
| be too late. - Henri Cartier Bresson | unexposed film. - Robert Adams |
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| You've got to push yourself harder. You've got | I think the best pictures are often on the edges |
| to start looking for pictures nobody else could | of any situation, I don't find photographing the |
| take. You've got to take the tools you have and | situation nearly as interesting as |
| probe deeper. - William Albert Allard | photographing the edges. - William Albert |
| | Allard |
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| Photography is my passion. - Alfred | I almost never set out to photograph a |
| Stieglitz | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| Once photography enters your bloodstream, | unless I absolutely need a 'record shot'. My |
| it's like a disease. - Anon | first thought is always of light. - Galen |
| | Rowell |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| [Photography] is a way of feeling, of touching, | - Dorothea Lange |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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