| Photography is a major force in explaining | "Simply look with perceptive eyes at the |
| man to man. - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| I think you have to have a real point of view | "Does this subject move me to feel, think |
| that's your own. You have to tell it your way. | and dream? Can I visualize a print - my own |
| And, I think that it's a mistake to shoot for a | personal statement of what I feel and want to |
| specific magazine's point of view because it's | convey - from the subject before me?" |
| never going to be as good. You have to shoot | - Ansel Adams |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
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Houston |
Cincinnati |
Los Angeles |
Boston |
Baton Rouge |
Spokane |
Seattle |
Boca Raton |
Orlando |
Santa Ana |
Chillicothe |
York |
Mount Shasta |
Pearland |
Lexington |
Boerne |
Manchester |
Princeton |
Old Greenwich |
Yorktown |
Chatsworth |
Dalton |
Racine |
Pulaski |
Fort Collins |
Lenoir |
Jackson |
Ashburn |
Jennings |
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| Photography suits the temper of this ageof | A picture is the expression of an impression. If |
| active bodies and minds. It is a perfect | the beautiful were not in us, how would we |
| medium for one whose mind is teeming with | ever recognize it? - Ernst Haas |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Sometimes you can tell a large story with a |
| sculpting, for one who sees quickly and acts | tiny subject. - Eliot Porter |
| decisively, accurately. - Edward Weston | |
| | A room hung with pictures is a room hung with |
| One should really use the camera as though | thoughts. - Sir Joshua Reynolds |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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