| "Simply look with perceptive eyes at the | A mad, keen photographer needs to get out |
| world about you, and trust to your own | into the world and work and make mistakes. |
| reactions and convictions. Ask yourself: | - Sam Abell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | One should really use the camera as though |
| personal statement of what I feel and want to | tomorrow you'd be stricken blind. |
| convey - from the subject before me?" | - Dorothea Lange |
| - Ansel Adams | |
| | I almost never set out to photograph a |
| There is nothing worse than a sharp image of | landscape, nor do I think of my camera as a |
| a fuzzy concept. - Ansel Adams | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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Houston |
Cincinnati |
Atlanta |
Minneapolis |
Montgomery |
Kansas City |
Beaumont |
Columbus |
New Orleans |
Davenport |
Newport Beach |
Mundelein |
Hartsville |
Spartanburg |
Brockton |
Solon |
Utica |
Danville |
North East |
West Monroe |
Reno |
Weaverville |
Hanford |
Fort Dodge |
Ozark |
Novi |
Milwaukie |
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| A room hung with pictures is a room hung with | Photography records the gamut of feelings |
| thoughts. - Sir Joshua Reynolds | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| You learn to see by practice. It's just like | wealth and confusion man has created. |
| playing tennis, you get better the more you | - Edward Steichen |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | Pictures you have taken have an influence on |
| more you realize what can be photographed | those that you are going to make. |
| and what can't be photographed. You just have | That's life! - John Sexton |
| to keep doing it. - Eliot Porter | |
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