| ...words and pictures can work together to | Keep it simple. - Alfred Eienstaedt |
| communicate more powerfully than either | |
| alone. -William Albert Allard | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| Pictures you have taken have an influence on | play. The more you look around at things, the |
| those that you are going to make. | more you see. The more you photograph, the |
| That's life! - John Sexton | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| Photography is a major force in explaining | to keep doing it. - Eliot Porter |
| man to man. - Edward Steichen | |
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Dallas |
Tampa |
Kansas City |
Indianapolis |
Lincoln |
Easton |
Oceanside |
White Plains |
Medford |
Cape Coral |
Spirit Lake |
Appleton |
Elkhart |
Fort Lauderdale |
Prince Frederick |
Carlinville |
Panama City |
Cary |
Celina |
Carrollton |
Statesville |
Myrtle Beach |
Studio City |
Pomona |
Dillon |
Pikeville |
Calumet Park |
Redlands |
Asheboro |
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| Once photography enters your bloodstream, | The virtue of the camera is not the power it |
| it's like a disease. - Anon | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| "Simply look with perceptive eyes at the | looking. - Brooks Anderson |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | My own eyes are no more than scouts on a |
| "Does this subject move me to feel, think | preliminary search, for the camera's eye may |
| and dream? Can I visualize a print - my own | entirely change my idea. - Edward |
| personal statement of what I feel and want to | Weston |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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