| I think the best pictures are often on the edges | ...words and pictures can work together to |
| of any situation, I don't find photographing the | communicate more powerfully than either |
| situation nearly as interesting as | alone. -William Albert Allard |
| photographing the edges. - William Albert | |
| Allard | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| A picture is the expression of an impression. If | as the event. During the work, you have to be |
| the beautiful were not in us, how would we | sure that you haven't left any holes, that you've |
| ever recognize it? - Ernst Haas | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Houston |
Las Vegas |
Rapid City |
Quincy |
Lawton |
Tuscaloosa |
Butler |
Durham |
Chestertown |
Tell City |
La Porte |
Denham Springs |
Roxboro |
Stillwater |
Westchester |
Mission Hills |
Sanford |
Yreka |
Sequim |
Rowlett |
Americus |
Santa Fe Springs |
Grovetown |
Pleasantville |
Tukwila |
Charlotte Harbour |
Mansfield |
Stevenson |
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| A mad, keen photographer needs to get out | Above all, it's hard learning to live with vivid |
| into the world and work and make mistakes. | mental images of scenes I cared for and failed |
| - Sam Abell | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| The difficulty with color is to go beyond the | assurance that the best photographs are yet to |
| fact that it's color to have it be not just a | be made. - Sam Abell |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | It is not the language of painters but the |
| caught up in color, and it becomes merely | language of nature which one should listen to. |
| decorative. Some photographers use [ it ] | . . . The feeling for the things themselves, for |
| brilliantly to make visual statements combining | reality, is more important than the feeling for |
| color and content; otherwise it is empty. | pictures. - Vincent Van Gogh |
| - Mary Ellen Mark | |
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