| The camera makes everyone a tourist in other | "Simply look with perceptive eyes at the |
| people's reality. - Susan Sontag | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| I almost never set out to photograph a | "Does this subject move me to feel, think |
| landscape, nor do I think of my camera as a | and dream? Can I visualize a print - my own |
| means of recording a mountain or an animal | personal statement of what I feel and want to |
| unless I absolutely need a 'record shot'. My | convey - from the subject before me?" |
| first thought is always of light. - Galen | - Ansel Adams |
| Rowell | |
| | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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Brooklyn |
New York |
Tampa |
Dallas |
Wilmington |
San Jose |
Pittsburgh |
Sumter |
Cheyenne |
Altoona |
Kansas City |
Roseburg |
Grants Pass |
Ennis |
Naples |
Carson |
Searcy |
Columbus |
Cypress |
Carbondale |
South Haven |
Eagle River |
St Ignace |
Sheffield |
Sisters |
Omak |
Earth City |
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| A picture is the expression of an impression. If | You've got to push yourself harder. You've got |
| the beautiful were not in us, how would we | to start looking for pictures nobody else could |
| ever recognize it? - Ernst Haas | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | Memory is very important, the memory of |
| You just have to care about what's around you | each photo taken, flowing at the same speed |
| and have a concern with humanity and the | as the event. During the work, you have to be |
| human comedy. - Elliott Erwitt | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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