| Photography suits the temper of this ageof | Photography takes an instant out of time, |
| active bodies and minds. It is a perfect | altering life by holding it still. - Dorothea |
| medium for one whose mind is teeming with | Lange |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | Now to consult the rules of composition before |
| sculpting, for one who sees quickly and acts | making a picture is a little like consulting the |
| decisively, accurately. - Edward Weston | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| The difficulty with color is to go beyond the | accomplished fact; they are the products of |
| fact that it's color to have it be not just a | reflection . . . - Edward Weston |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Baltimore |
Memphis |
San Jose |
Jacksonville |
Cincinnati |
Dearborn |
Annapolis |
Westminster |
Lakewood |
Covina |
Mequon |
Palatka |
Lewiston |
Southaven |
Wheeling |
Prince Frederick |
Goshen |
Troy |
Basking Ridge |
Round Rock |
Ogallala |
Saint Robert |
Port Angeles |
Chicopee |
Mount Olive |
Palm Bay |
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| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| I think the best pictures are often on the edges | captured everything, because afterwards it will |
| of any situation, I don't find photographing the | be too late. - Henri Cartier Bresson |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | You've got to push yourself harder. You've got |
| Allard | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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