| Photography suits the temper of this ageof | "Simply look with perceptive eyes at the |
| active bodies and minds. It is a perfect | world about you, and trust to your own |
| medium for one whose mind is teeming with | reactions and convictions. Ask yourself: |
| ideas, imagery, for a prolific worker who | "Does this subject move me to feel, think |
| would be slowed down by painting or | and dream? Can I visualize a print - my own |
| sculpting, for one who sees quickly and acts | personal statement of what I feel and want to |
| decisively, accurately. - Edward Weston | convey - from the subject before me?" |
| | - Ansel Adams |
| My own eyes are no more than scouts on a | |
| preliminary search, for the camera's eye may | Now to consult the rules of composition before |
| entirely change my idea. - Edward | making a picture is a little like consulting the |
| Weston | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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San Diego |
Oklahoma City |
Boston |
Bronx |
Miami |
Kansas City |
Detroit |
Anaheim |
Puyallup |
Sanford |
Duncanville |
Phoenix |
North Platte |
Cortland |
Fairfield |
Richland Center |
Kankakee |
Truth Or Consequences |
Collierville |
Kingsport |
Midlothian |
Marlborough |
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| Pictures you have taken have an influence on | A great photograph is one that fully expresses |
| those that you are going to make. | what one feels, in the deepest sense, about |
| That's life! - John Sexton | what is being photographed. - Ansel |
| | Adams |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A picture is the expression of an impression. If |
| earth and skies that man has inherited and the | the beautiful were not in us, how would we |
| wealth and confusion man has created. | ever recognize it? - Ernst Haas |
| - Edward Steichen | |
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