| Pictures you have taken have an influence on | "Simply look with perceptive eyes at the |
| those that you are going to make. | world about you, and trust to your own |
| That's life! - John Sexton | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Memory is very important, the memory of | and dream? Can I visualize a print - my own |
| each photo taken, flowing at the same speed | personal statement of what I feel and want to |
| as the event. During the work, you have to be | convey - from the subject before me?" |
| sure that you haven't left any holes, that you've | - Ansel Adams |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | Photography is my passion. - Alfred |
| | Stieglitz |
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Chicago |
Riverside |
Greensboro |
Colorado Springs |
Hollywood |
Wausau |
Hot Springs |
Hattiesburg |
Sunnyvale |
Chelmsford |
Longmont |
Merritt Island |
Los Banos |
Chatsworth |
Dell Rapids |
Alpharetta |
Merced |
Oklahoma City |
Augusta |
East Windsor |
Plymouth |
Dyersville |
Tarpon Springs |
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| The virtue of the camera is not the power it | Sometimes you can tell a large story with a |
| has to transform the photographer into an | tiny subject. - Eliot Porter |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | I think the best pictures are often on the edges |
| medium for one whose mind is teeming with | of any situation, I don't find photographing the |
| ideas, imagery, for a prolific worker who | situation nearly as interesting as |
| would be slowed down by painting or | photographing the edges. - William Albert |
| sculpting, for one who sees quickly and acts | Allard |
| decisively, accurately. - Edward Weston | |
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