| My own eyes are no more than scouts on a | I think the best pictures are often on the edges |
| preliminary search, for the camera's eye may | of any situation, I don't find photographing the |
| entirely change my idea. - Edward | situation nearly as interesting as |
| Weston | photographing the edges. - William Albert |
| | Allard |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | Sometimes you can tell a large story with a |
| - Dorothea Lange | tiny subject. - Eliot Porter |
| | |
| Photography suits the temper of this ageof | No place is boring, if you've had a good |
| active bodies and minds. It is a perfect | night's sleep and have a pocket full of |
| medium for one whose mind is teeming with | unexposed film. - Robert Adams |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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Rochester |
Omaha |
Newport News |
Springfield |
Cleveland |
Hampton |
Kent |
Sebring |
Dyersburg |
Cinnaminson |
Fort Mill |
Rocky Mount |
Mount Kisco |
San Marcos |
Portage |
Jonesboro |
Brunswick |
Birmingham |
Warrenton |
Alsip |
Brown Deer |
Waterbury |
Belton |
Snoqualmie Pass |
Thomasville |
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| "Simply look with perceptive eyes at the | Photography records the gamut of feelings |
| world about you, and trust to your own | written on the human face, the beauty of the |
| reactions and convictions. Ask yourself: | earth and skies that man has inherited and the |
| "Does this subject move me to feel, think | wealth and confusion man has created. |
| and dream? Can I visualize a print - my own | - Edward Steichen |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | Pictures you have taken have an influence on |
| - Ansel Adams | those that you are going to make. |
| | That's life! - John Sexton |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | |
| Lange | |
|