| You can find pictures anywhere. It's simply a | The virtue of the camera is not the power it |
| matter of noticing things and organizing them. | has to transform the photographer into an |
| You just have to care about what's around you | artist, but the impulse it gives him to keep on |
| and have a concern with humanity and the | looking. - Brooks Anderson |
| human comedy. - Elliott Erwitt | |
| | I almost never set out to photograph a |
| I think the best pictures are often on the edges | landscape, nor do I think of my camera as a |
| of any situation, I don't find photographing the | means of recording a mountain or an animal |
| situation nearly as interesting as | unless I absolutely need a 'record shot'. My |
| photographing the edges. - William Albert | first thought is always of light. - Galen |
| Allard | Rowell |
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Washington |
Columbus |
Sacramento |
Duluth |
Manchester |
Jacksonville |
Salt Lake City |
Cedar Rapids |
Riverside |
Longwood |
Camp Hill |
Holland |
Johnstown |
Fayetteville |
Montgomery |
Ukiah |
Blue Springs |
New Britain |
Parkersburg |
Coopersburg |
Savannah |
Junction |
Lenoir |
Kalamazoo |
Trenton |
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| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | [Photography] is a way of feeling, of touching, |
| be too late. - Henri Cartier Bresson | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| Photography is a major force in explaining | long after you have forgotten everything. |
| man to man. - Edward Steichen | - Aaron Siskind |
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