| A mad, keen photographer needs to get out | There is nothing worse than a sharp image of |
| into the world and work and make mistakes. | a fuzzy concept. - Ansel Adams |
| - Sam Abell | |
| | "Simply look with perceptive eyes at the |
| The camera makes everyone a tourist in other | world about you, and trust to your own |
| people's reality. - Susan Sontag | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The virtue of the camera is not the power it | and dream? Can I visualize a print - my own |
| has to transform the photographer into an | personal statement of what I feel and want to |
| artist, but the impulse it gives him to keep on | convey - from the subject before me?" |
| looking. - Brooks Anderson | - Ansel Adams |
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San Jose |
Indianapolis |
Pensacola |
Melbourne |
Lexington |
Toms River |
Laurel |
Florence |
Fallbrook |
Searcy |
Forrest City |
Washington |
Oshkosh |
Durant |
Windom |
Pocatello |
Kanab |
Austin |
Sterling |
Fairview Park |
Brandon |
Yakima |
Cerritos |
Massena |
Winston Salem |
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| Keep it simple. - Alfred Eienstaedt | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| Sometimes you can tell a large story with a | earth and skies that man has inherited and the |
| tiny subject. - Eliot Porter | wealth and confusion man has created. |
| | - Edward Steichen |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | Pictures you have taken have an influence on |
| unexposed film. - Robert Adams | those that you are going to make. |
| | That's life! - John Sexton |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | |
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