| It is not the language of painters but the | Photography records the gamut of feelings |
| language of nature which one should listen to. | written on the human face, the beauty of the |
| . . . The feeling for the things themselves, for | earth and skies that man has inherited and the |
| reality, is more important than the feeling for | wealth and confusion man has created. |
| pictures. - Vincent Van Gogh | - Edward Steichen |
| | |
| "Simply look with perceptive eyes at the | Memory is very important, the memory of |
| world about you, and trust to your own | each photo taken, flowing at the same speed |
| reactions and convictions. Ask yourself: | as the event. During the work, you have to be |
| "Does this subject move me to feel, think | sure that you haven't left any holes, that you've |
| and dream? Can I visualize a print - my own | captured everything, because afterwards it will |
| personal statement of what I feel and want to | be too late. - Henri Cartier Bresson |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Dallas |
Long Beach |
Riverside |
Delray Beach |
Philadelphia |
Des Moines |
Fredericksburg |
Santa Fe Springs |
North Fort Myers |
Saginaw |
Sunnyvale |
San Diego |
American Fork |
Marshall |
Belen |
Ashtabula |
Fayetteville |
Eureka |
Centerville |
Marble Falls |
Amesbury |
Moberly |
Waycross |
Conroe |
Texarkana |
Carlsbad |
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| One should really use the camera as though | You can find pictures anywhere. It's simply a |
| tomorrow you'd be stricken blind. | matter of noticing things and organizing them. |
| - Dorothea Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| My own eyes are no more than scouts on a | human comedy. - Elliott Erwitt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | A good picture is equivalent to a good deed. |
| Weston | - Vincent Van Gogh |
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| A mad, keen photographer needs to get out | A picture is the expression of an impression. If |
| into the world and work and make mistakes. | the beautiful were not in us, how would we |
| - Sam Abell | ever recognize it? - Ernst Haas |
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