| A picture is the expression of an impression. If | Photography is a major force in explaining |
| the beautiful were not in us, how would we | man to man. - Edward Steichen |
| ever recognize it? - Ernst Haas | |
| | Photography records the gamut of feelings |
| You can find pictures anywhere. It's simply a | written on the human face, the beauty of the |
| matter of noticing things and organizing them. | earth and skies that man has inherited and the |
| You just have to care about what's around you | wealth and confusion man has created. |
| and have a concern with humanity and the | - Edward Steichen |
| human comedy. - Elliott Erwitt | |
| | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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Staten Island |
Galesburg |
Jamaica |
Fort Mill |
Vincennes |
Rehoboth Beach |
Gainesville |
Fall River |
Traverse City |
Tallulah |
Vista |
Harrisonburg |
Clinton Township |
Hillsborough |
Plant City |
Kelso |
Rock Springs |
Mount Carmel Junction |
Adamstown |
Gustavus |
Ft. Mill |
Senatobia |
Lincoln |
Port Allen |
Edisto Island |
Redmond |
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| Photography takes an instant out of time, | The difficulty with color is to go beyond the |
| altering life by holding it still. - Dorothea | fact that it's color to have it be not just a |
| Lange | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| "Simply look with perceptive eyes at the | caught up in color, and it becomes merely |
| world about you, and trust to your own | decorative. Some photographers use [ it ] |
| reactions and convictions. Ask yourself: | brilliantly to make visual statements combining |
| "Does this subject move me to feel, think | color and content; otherwise it is empty. |
| and dream? Can I visualize a print - my own | - Mary Ellen Mark |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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