| It is not the language of painters but the | Sometimes you can tell a large story with a |
| language of nature which one should listen to. | tiny subject. - Eliot Porter |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | A picture is the expression of an impression. If |
| pictures. - Vincent Van Gogh | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | No place is boring, if you've had a good |
| reactions and convictions. Ask yourself: | night's sleep and have a pocket full of |
| "Does this subject move me to feel, think | unexposed film. - Robert Adams |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Louisville |
Omaha |
Austin |
Irvine |
Elizabeth City |
Galesburg |
Whiteville |
Glasgow |
Gary |
Bardstown |
Ocoee |
Santa Clara |
Denison |
San Ysidro |
Ullin |
Woodlands |
Ft. Wright |
Galena |
Hazelwood |
New Providence |
North Sioux City |
Hohenwald |
St Helena |
Rayville |
Mars Hill |
Ausitn |
Beaver Falls |
Gettysburg |
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| Photography records the gamut of feelings | The camera makes everyone a tourist in other |
| written on the human face, the beauty of the | people's reality. - Susan Sontag |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | The virtue of the camera is not the power it |
| - Edward Steichen | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| I think you have to have a real point of view | looking. - Brooks Anderson |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | One should really use the camera as though |
| specific magazine's point of view because it's | tomorrow you'd be stricken blind. |
| never going to be as good. You have to shoot | - Dorothea Lange |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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