| Pictures you have taken have an influence on | Photography takes an instant out of time, |
| those that you are going to make. | altering life by holding it still. - Dorothea |
| That's life! - John Sexton | Lange |
| | |
| Memory is very important, the memory of | "Simply look with perceptive eyes at the |
| each photo taken, flowing at the same speed | world about you, and trust to your own |
| as the event. During the work, you have to be | reactions and convictions. Ask yourself: |
| sure that you haven't left any holes, that you've | "Does this subject move me to feel, think |
| captured everything, because afterwards it will | and dream? Can I visualize a print - my own |
| be too late. - Henri Cartier Bresson | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
New York |
Phoenix |
El Paso |
Little Rock |
Dubuque |
Nashville |
Campbell |
Bridgeton |
Buford |
Tewksbury |
Berkeley |
Brooksville |
Philippi |
Lavonia |
Butler |
Rock Springs |
Brentwood |
Payson |
Carthage |
Great Barrington |
Sugar Land |
Los Angeles Hollywood |
Somerset |
Fort Atkinson |
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| I almost never set out to photograph a | A great photograph is one that fully expresses |
| landscape, nor do I think of my camera as a | what one feels, in the deepest sense, about |
| means of recording a mountain or an animal | what is being photographed. - Ansel |
| unless I absolutely need a 'record shot'. My | Adams |
| first thought is always of light. - Galen | |
| Rowell | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | I think the best pictures are often on the edges |
| - Dorothea Lange | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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