| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | ...words and pictures can work together to |
| color and content; otherwise it is empty. | communicate more powerfully than either |
| - Mary Ellen Mark | alone. -William Albert Allard |
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Austin |
Little Rock |
Greenville |
Santa Monica |
Morganton |
Warren |
Grand Blanc |
Youngstown |
Acworth |
Pocomoke City |
Dorchester |
Carson City |
Big Rapids |
Cloudcroft |
Canton |
Alexandria Bay |
Sumter |
Eatontown |
Stoughton |
Cobleskill |
Cardiff |
Coeur D Alene |
Auburn |
Monrovia |
Madison |
Sweetwater |
Ely |
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| [Photography] is a way of feeling, of touching, | A good picture is equivalent to a good deed. |
| of loving. What you have caught on film is | - Vincent Van Gogh |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A room hung with pictures is a room hung with |
| - Aaron Siskind | thoughts. - Sir Joshua Reynolds |
| | |
| It is not the language of painters but the | No place is boring, if you've had a good |
| language of nature which one should listen to. | night's sleep and have a pocket full of |
| . . . The feeling for the things themselves, for | unexposed film. - Robert Adams |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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