| A great photograph is one that fully expresses | Photography is about finding out what can |
| what one feels, in the deepest sense, about | happen in the frame. When you put four |
| what is being photographed. - Ansel | edges around some facts, you change those |
| Adams | facts. - Gary Winogrand |
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| You can find pictures anywhere. It's simply a | Photography is a major force in explaining |
| matter of noticing things and organizing them. | man to man. - Edward Steichen |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Photography knows how to authenticate its |
| human comedy. - Elliott Erwitt | misrepresentations. - Mason Cooley |
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Los Angeles |
San Antonio |
Cincinnati |
Rochester |
Dallas |
San Jose |
New Orleans |
Modesto |
Chula Vista |
Decatur |
Yorba Linda |
Monterey Park |
Stuart |
Greenville |
Wytheville |
New Britain |
Huntsville |
Colonial Heights |
Erie |
Paris |
Columbus |
Cherokee |
Jamestown |
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| A mad, keen photographer needs to get out | It is not the language of painters but the |
| into the world and work and make mistakes. | language of nature which one should listen to. |
| - Sam Abell | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Photography suits the temper of this ageof | pictures. - Vincent Van Gogh |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | Now to consult the rules of composition before |
| ideas, imagery, for a prolific worker who | making a picture is a little like consulting the |
| would be slowed down by painting or | law of gravitation before going for a walk. |
| sculpting, for one who sees quickly and acts | Such rules and laws are deduced from the |
| decisively, accurately. - Edward Weston | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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