| The difficulty with color is to go beyond the | [Photography] is a way of feeling, of touching, |
| fact that it's color to have it be not just a | of loving. What you have caught on film is |
| colorful picture but really be a picture about | captured forever . . . it remembers little things, |
| something. It's difficult. So often color gets | long after you have forgotten everything. |
| caught up in color, and it becomes merely | - Aaron Siskind |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | There is nothing worse than a sharp image of |
| color and content; otherwise it is empty. | a fuzzy concept. - Ansel Adams |
| - Mary Ellen Mark | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
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Philadelphia |
Chicago |
Omaha |
Longview |
Ogden |
Decatur |
Englewood |
Gallatin |
Oxnard |
St. Joseph |
Ridgecrest |
Cheraw |
Columbia |
Folkston |
Hurricane |
Thomaston |
Northeast Harbor |
Kappa |
Catskill |
Watkins Glen |
Alliance |
Fort Washington |
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| Photography knows how to authenticate its | No place is boring, if you've had a good |
| misrepresentations. - Mason Cooley | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | I think the best pictures are often on the edges |
| And, I think that it's a mistake to shoot for a | of any situation, I don't find photographing the |
| specific magazine's point of view because it's | situation nearly as interesting as |
| never going to be as good. You have to shoot | photographing the edges. - William Albert |
| for yourself and photograph [the way] you | Allard |
| believe it. - Mary Ellen Mark | |
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