| [Photography] is a way of feeling, of touching, | Keep it simple. - Alfred Eienstaedt |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | A good picture is equivalent to a good deed. |
| long after you have forgotten everything. | - Vincent Van Gogh |
| - Aaron Siskind | |
| | No place is boring, if you've had a good |
| Now to consult the rules of composition before | night's sleep and have a pocket full of |
| making a picture is a little like consulting the | unexposed film. - Robert Adams |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | I think the best pictures are often on the edges |
| accomplished fact; they are the products of | of any situation, I don't find photographing the |
| reflection . . . - Edward Weston | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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Los Angeles |
Las Vegas |
Fort Worth |
Yonkers |
Mobile |
Rochester |
Des Moines |
St. Louis |
Cullman |
Fort Myers |
Cranston |
Bluefield |
Yukon |
Indiana |
Torrington |
Fulton |
Moriarty |
Walterboro |
Saugus |
Hamden |
Frazer |
South Portland |
De Land |
Potosi |
Columbia |
Redmond |
Beatrice |
Dunedin |
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| I think you have to have a real point of view | One should really use the camera as though |
| that's your own. You have to tell it your way. | tomorrow you'd be stricken blind. |
| And, I think that it's a mistake to shoot for a | - Dorothea Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | The camera makes everyone a tourist in other |
| for yourself and photograph [the way] you | people's reality. - Susan Sontag |
| believe it. - Mary Ellen Mark | |
| | The virtue of the camera is not the power it |
| Photography records the gamut of feelings | has to transform the photographer into an |
| written on the human face, the beauty of the | artist, but the impulse it gives him to keep on |
| earth and skies that man has inherited and the | looking. - Brooks Anderson |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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