| You can find pictures anywhere. It's simply a | Pictures you have taken have an influence on |
| matter of noticing things and organizing them. | those that you are going to make. |
| You just have to care about what's around you | That's life! - John Sexton |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | ...words and pictures can work together to |
| | communicate more powerfully than either |
| Keep it simple. - Alfred Eienstaedt | alone. -William Albert Allard |
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| A good picture is equivalent to a good deed. | I think you have to have a real point of view |
| - Vincent Van Gogh | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Chicago |
Orlando |
Cleveland |
Charlotte |
Tucson |
Oklahoma City |
Rochester |
Marietta |
Portland |
Muskegon |
Easton |
Fall River |
St. Louis |
New Smyrna Beach |
Oak Ridge |
Newnan |
Glasgow |
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Manhattan |
Clinton |
Whitehall |
Mcalester |
Boscobel |
Hopewell |
Hilo |
Jonesville |
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| The virtue of the camera is not the power it | Now to consult the rules of composition before |
| has to transform the photographer into an | making a picture is a little like consulting the |
| artist, but the impulse it gives him to keep on | law of gravitation before going for a walk. |
| looking. - Brooks Anderson | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| One should really use the camera as though | reflection . . . - Edward Weston |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | Photography is my passion. - Alfred |
| | Stieglitz |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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