| "Simply look with perceptive eyes at the | ...words and pictures can work together to |
| world about you, and trust to your own | communicate more powerfully than either |
| reactions and convictions. Ask yourself: | alone. -William Albert Allard |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography is a major force in explaining |
| personal statement of what I feel and want to | man to man. - Edward Steichen |
| convey - from the subject before me?" | |
| - Ansel Adams | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| Photography is my passion. - Alfred | And, I think that it's a mistake to shoot for a |
| Stieglitz | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
|
|
Chicago |
Ocala |
Cape Coral |
Santa Rosa |
Dayton |
Billings |
Vero Beach |
Reno |
Tallahassee |
Salem |
Jasper |
West Allis |
Owatonna |
Schaumburg |
Portage |
Olean |
Ormond Beach |
Dover |
Monroe |
Saddle Brook |
San Dimas |
Hilton Head Island |
Westminster |
|
|
| The virtue of the camera is not the power it | No place is boring, if you've had a good |
| has to transform the photographer into an | night's sleep and have a pocket full of |
| artist, but the impulse it gives him to keep on | unexposed film. - Robert Adams |
| looking. - Brooks Anderson | |
| | Sometimes you can tell a large story with a |
| My own eyes are no more than scouts on a | tiny subject. - Eliot Porter |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | I think the best pictures are often on the edges |
| Weston | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|