| Photography is a major force in explaining | The difficulty with color is to go beyond the |
| man to man. - Edward Steichen | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography records the gamut of feelings | something. It's difficult. So often color gets |
| written on the human face, the beauty of the | caught up in color, and it becomes merely |
| earth and skies that man has inherited and the | decorative. Some photographers use [ it ] |
| wealth and confusion man has created. | brilliantly to make visual statements combining |
| - Edward Steichen | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Pictures you have taken have an influence on | |
| those that you are going to make. | |
| That's life! - John Sexton | |
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| Keep it simple. - Alfred Eienstaedt | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| I think the best pictures are often on the edges | to photograph. It is the edgy existence within |
| of any situation, I don't find photographing the | me of these unmade images that is the only |
| situation nearly as interesting as | assurance that the best photographs are yet to |
| photographing the edges. - William Albert | be made. - Sam Abell |
| Allard | |
| | There is nothing worse than a sharp image of |
| A good picture is equivalent to a good deed. | a fuzzy concept. - Ansel Adams |
| - Vincent Van Gogh | |
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