| I think the best pictures are often on the edges | Photography is a major force in explaining |
| of any situation, I don't find photographing the | man to man. - Edward Steichen |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Memory is very important, the memory of |
| Allard | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| You learn to see by practice. It's just like | sure that you haven't left any holes, that you've |
| playing tennis, you get better the more you | captured everything, because afterwards it will |
| play. The more you look around at things, the | be too late. - Henri Cartier Bresson |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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New York |
Las Vegas |
Dallas |
Torrance |
Boca Raton |
Livonia |
Evanston |
Decatur |
Galesburg |
Atlanta |
Richland |
Moreno Valley |
Conway |
Wayne |
Sugar Land |
Elizabethtown |
Aberdeen |
Wilmington |
Meadville |
Elk Grove Village |
Southampton |
Poplar Bluff |
Muscatine |
Montgomery |
Sturgis |
Clarks Summit |
Rock Hill |
Hope |
Mokena |
Maalaea, Maui |
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| [Photography] is a way of feeling, of touching, | The virtue of the camera is not the power it |
| of loving. What you have caught on film is | has to transform the photographer into an |
| captured forever . . . it remembers little things, | artist, but the impulse it gives him to keep on |
| long after you have forgotten everything. | looking. - Brooks Anderson |
| - Aaron Siskind | |
| | The camera makes everyone a tourist in other |
| Now to consult the rules of composition before | people's reality. - Susan Sontag |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | One should really use the camera as though |
| Such rules and laws are deduced from the | tomorrow you'd be stricken blind. |
| accomplished fact; they are the products of | - Dorothea Lange |
| reflection . . . - Edward Weston | |
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