| The difficulty with color is to go beyond the | Photography is about finding out what can |
| fact that it's color to have it be not just a | happen in the frame. When you put four |
| colorful picture but really be a picture about | edges around some facts, you change those |
| something. It's difficult. So often color gets | facts. - Gary Winogrand |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | Memory is very important, the memory of |
| brilliantly to make visual statements combining | each photo taken, flowing at the same speed |
| color and content; otherwise it is empty. | as the event. During the work, you have to be |
| - Mary Ellen Mark | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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| [Photography] is a way of feeling, of touching, | Keep it simple. - Alfred Eienstaedt |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | I think the best pictures are often on the edges |
| long after you have forgotten everything. | of any situation, I don't find photographing the |
| - Aaron Siskind | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Photography takes an instant out of time, | Allard |
| altering life by holding it still. - Dorothea | |
| Lange | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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