| [Photography] is a way of feeling, of touching, | A great photograph is one that fully expresses |
| of loving. What you have caught on film is | what one feels, in the deepest sense, about |
| captured forever . . . it remembers little things, | what is being photographed. - Ansel |
| long after you have forgotten everything. | Adams |
| - Aaron Siskind | |
| | A picture is the expression of an impression. If |
| It is not the language of painters but the | the beautiful were not in us, how would we |
| language of nature which one should listen to. | ever recognize it? - Ernst Haas |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | You learn to see by practice. It's just like |
| pictures. - Vincent Van Gogh | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Brooklyn |
San Antonio |
Glendale |
Orlando |
Columbia |
Cary |
Johnstown |
Edmond |
Circleville |
Niagara Falls |
Bartlett |
Elko |
Riverside |
New Albany |
Kokomo |
Three Rivers |
Lodi |
Lake Havasu City |
Johnson City |
Perry |
Brookings |
Auburn |
Bedford |
Van Horn |
Bourne |
Universal City |
Donalsonville |
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| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| I almost never set out to photograph a | captured everything, because afterwards it will |
| landscape, nor do I think of my camera as a | be too late. - Henri Cartier Bresson |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Photography is about finding out what can |
| first thought is always of light. - Galen | happen in the frame. When you put four |
| Rowell | edges around some facts, you change those |
| | facts. - Gary Winogrand |
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