| The virtue of the camera is not the power it | Photography is a major force in explaining |
| has to transform the photographer into an | man to man. - Edward Steichen |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| The difficulty with color is to go beyond the | as the event. During the work, you have to be |
| fact that it's color to have it be not just a | sure that you haven't left any holes, that you've |
| colorful picture but really be a picture about | captured everything, because afterwards it will |
| something. It's difficult. So often color gets | be too late. - Henri Cartier Bresson |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Seattle |
Memphis |
Columbia |
Warren |
Plano |
Williamsport |
Escondido |
Columbia |
Phenix City |
Cookeville |
Lansing |
Apex |
Costa Mesa |
Angleton |
East Liverpool |
Milpitas |
Somerset |
Normal |
Greeley |
Fernley |
Rowlett |
Los Gatos |
Albany |
Ashtabula |
Holbrook |
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| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
| | Sometimes you can tell a large story with a |
| Photography takes an instant out of time, | tiny subject. - Eliot Porter |
| altering life by holding it still. - Dorothea | |
| Lange | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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