| You can find pictures anywhere. It's simply a | Memory is very important, the memory of |
| matter of noticing things and organizing them. | each photo taken, flowing at the same speed |
| You just have to care about what's around you | as the event. During the work, you have to be |
| and have a concern with humanity and the | sure that you haven't left any holes, that you've |
| human comedy. - Elliott Erwitt | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| Keep it simple. - Alfred Eienstaedt | |
| | Pictures you have taken have an influence on |
| No place is boring, if you've had a good | those that you are going to make. |
| night's sleep and have a pocket full of | That's life! - John Sexton |
| unexposed film. - Robert Adams | |
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New York |
Philadelphia |
New Orleans |
Tulsa |
Jacksonville |
Santa Ana |
Mobile |
Manchester |
Mason City |
Temecula |
Wooster |
Huntington Station |
Monroe |
Madison |
Portsmouth |
Hartsville |
Rochelle |
Staten Island |
North Palm Beach |
Abilene |
Itasca |
Orlando |
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| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| It is not the language of painters but the | something. It's difficult. So often color gets |
| language of nature which one should listen to. | caught up in color, and it becomes merely |
| . . . The feeling for the things themselves, for | decorative. Some photographers use [ it ] |
| reality, is more important than the feeling for | brilliantly to make visual statements combining |
| pictures. - Vincent Van Gogh | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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