| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| A mad, keen photographer needs to get out | personal statement of what I feel and want to |
| into the world and work and make mistakes. | convey - from the subject before me?" |
| - Sam Abell | - Ansel Adams |
| | |
| The virtue of the camera is not the power it | Photography is my passion. - Alfred |
| has to transform the photographer into an | Stieglitz |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
|
|
Houston |
St. Louis |
Tallahassee |
Stockton |
Denver |
Pasadena |
Tampa |
New Braunfels |
New London |
Merrill |
Carson City |
Martin |
Sand Springs |
North Platte |
Portland |
Sheridan |
Sealy |
East Hartford |
Foxboro |
Grove City |
Philadelphia |
Franklin |
Hope |
Northbrook |
East Palatka |
Fairfield |
Ontario |
|
|
| Photography is about finding out what can | No place is boring, if you've had a good |
| happen in the frame. When you put four | night's sleep and have a pocket full of |
| edges around some facts, you change those | unexposed film. - Robert Adams |
| facts. - Gary Winogrand | |
| | I think the best pictures are often on the edges |
| Pictures you have taken have an influence on | of any situation, I don't find photographing the |
| those that you are going to make. | situation nearly as interesting as |
| That's life! - John Sexton | photographing the edges. - William Albert |
| | Allard |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
|