| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | I almost never set out to photograph a |
| and dream? Can I visualize a print - my own | landscape, nor do I think of my camera as a |
| personal statement of what I feel and want to | means of recording a mountain or an animal |
| convey - from the subject before me?" | unless I absolutely need a 'record shot'. My |
| - Ansel Adams | first thought is always of light. - Galen |
| | Rowell |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Houston |
Los Angeles |
Las Vegas |
Brooklyn |
Colorado Springs |
Cincinnati |
Louisville |
Austin |
Lawton |
Mission Viejo |
Dalton |
Newport News |
Stamford |
Venice |
Crossville |
Butte |
Albertville |
Florissant |
Rock Hill |
Downers Grove |
Greensburg |
Albany |
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| I think the best pictures are often on the edges | Memory is very important, the memory of |
| of any situation, I don't find photographing the | each photo taken, flowing at the same speed |
| situation nearly as interesting as | as the event. During the work, you have to be |
| photographing the edges. - William Albert | sure that you haven't left any holes, that you've |
| Allard | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Photography is about finding out what can |
| ever recognize it? - Ernst Haas | happen in the frame. When you put four |
| | edges around some facts, you change those |
| | facts. - Gary Winogrand |
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