| Keep it simple. - Alfred Eienstaedt | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| A great photograph is one that fully expresses | earth and skies that man has inherited and the |
| what one feels, in the deepest sense, about | wealth and confusion man has created. |
| what is being photographed. - Ansel | - Edward Steichen |
| Adams | |
| | Photography is about finding out what can |
| No place is boring, if you've had a good | happen in the frame. When you put four |
| night's sleep and have a pocket full of | edges around some facts, you change those |
| unexposed film. - Robert Adams | facts. - Gary Winogrand |
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Pittsburgh |
Brooklyn |
San Francisco |
Staten Island |
Glendale |
Des Moines |
Fort Smith |
Miami |
Roanoke |
Acworth |
Valdosta |
Marietta |
Jasper |
Holiday |
Belleville |
Evergreen |
North Vernon |
Dayton |
Fayetteville |
Exeter |
Winchester |
Wahoo |
Commerce |
York |
Baker City |
Chillicothe |
Lake Charles |
Sevierville |
Newark |
Whitley City |
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| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | The difficulty with color is to go beyond the |
| and dream? Can I visualize a print - my own | fact that it's color to have it be not just a |
| personal statement of what I feel and want to | colorful picture but really be a picture about |
| convey - from the subject before me?" | something. It's difficult. So often color gets |
| - Ansel Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| There is nothing worse than a sharp image of | brilliantly to make visual statements combining |
| a fuzzy concept. - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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