| There is nothing worse than a sharp image of | No place is boring, if you've had a good |
| a fuzzy concept. - Ansel Adams | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Photography is my passion. - Alfred | |
| Stieglitz | Keep it simple. - Alfred Eienstaedt |
| | |
| Now to consult the rules of composition before | I think the best pictures are often on the edges |
| making a picture is a little like consulting the | of any situation, I don't find photographing the |
| law of gravitation before going for a walk. | situation nearly as interesting as |
| Such rules and laws are deduced from the | photographing the edges. - William Albert |
| accomplished fact; they are the products of | Allard |
| reflection . . . - Edward Weston | |
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Baltimore |
New York |
Oklahoma City |
Indianapolis |
Oakland |
Knoxville |
Jackson |
Columbus |
Shreveport |
Chesapeake |
Green Bay |
Mechanicsburg |
Denton |
Davis |
Clanton |
Deerfield |
New Orleans |
Sylva |
Jerseyville |
Louisville |
Artesia |
Utica |
Bossier City |
Laguna Hills |
Deming |
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| You've got to push yourself harder. You've got | My own eyes are no more than scouts on a |
| to start looking for pictures nobody else could | preliminary search, for the camera's eye may |
| take. You've got to take the tools you have and | entirely change my idea. - Edward |
| probe deeper. - William Albert Allard | Weston |
| | |
| Photography knows how to authenticate its | One should really use the camera as though |
| misrepresentations. - Mason Cooley | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The virtue of the camera is not the power it |
| earth and skies that man has inherited and the | has to transform the photographer into an |
| wealth and confusion man has created. | artist, but the impulse it gives him to keep on |
| - Edward Steichen | looking. - Brooks Anderson |
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