| Photography is a major force in explaining | A great photograph is one that fully expresses |
| man to man. - Edward Steichen | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Photography knows how to authenticate its | Adams |
| misrepresentations. - Mason Cooley | |
| | I think the best pictures are often on the edges |
| Photography is about finding out what can | of any situation, I don't find photographing the |
| happen in the frame. When you put four | situation nearly as interesting as |
| edges around some facts, you change those | photographing the edges. - William Albert |
| facts. - Gary Winogrand | Allard |
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Chicago |
Philadelphia |
Las Vegas |
St. Louis |
Fort Lauderdale |
San Diego |
Kalamazoo |
El Cajon |
Chico |
Irving |
Redmond |
Pittsburgh |
Everett |
Okmulgee |
Lakewood |
Hope |
Clarksville |
Anniston |
Dahlgren |
Elizabethton |
Mobile |
Irvine |
Marana |
Adamstown |
Thomaston |
Egg Harbor |
Eastman |
Alsip |
College Park |
Aptos |
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| "Simply look with perceptive eyes at the | Photography suits the temper of this ageof |
| world about you, and trust to your own | active bodies and minds. It is a perfect |
| reactions and convictions. Ask yourself: | medium for one whose mind is teeming with |
| "Does this subject move me to feel, think | ideas, imagery, for a prolific worker who |
| and dream? Can I visualize a print - my own | would be slowed down by painting or |
| personal statement of what I feel and want to | sculpting, for one who sees quickly and acts |
| convey - from the subject before me?" | decisively, accurately. - Edward Weston |
| - Ansel Adams | |
| | A mad, keen photographer needs to get out |
| [Photography] is a way of feeling, of touching, | into the world and work and make mistakes. |
| of loving. What you have caught on film is | - Sam Abell |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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