| Above all, it's hard learning to live with vivid | Photography is a major force in explaining |
| mental images of scenes I cared for and failed | man to man. - Edward Steichen |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | I think you have to have a real point of view |
| assurance that the best photographs are yet to | that's your own. You have to tell it your way. |
| be made. - Sam Abell | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| Photography takes an instant out of time, | never going to be as good. You have to shoot |
| altering life by holding it still. - Dorothea | for yourself and photograph [the way] you |
| Lange | believe it. - Mary Ellen Mark |
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Houston |
Oklahoma City |
Las Vegas |
Savannah |
Torrance |
West Palm Beach |
New Port Richey |
Ocala |
Newark |
Norcross |
Cedar Rapids |
Downey |
Decatur |
Nashua |
Inglewood |
Broken Arrow |
Frankfort |
Niles |
Allentown |
Kent |
Panama City |
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| A good picture is equivalent to a good deed. | A mad, keen photographer needs to get out |
| - Vincent Van Gogh | into the world and work and make mistakes. |
| | - Sam Abell |
| Keep it simple. - Alfred Eienstaedt | |
| | The difficulty with color is to go beyond the |
| You learn to see by practice. It's just like | fact that it's color to have it be not just a |
| playing tennis, you get better the more you | colorful picture but really be a picture about |
| play. The more you look around at things, the | something. It's difficult. So often color gets |
| more you see. The more you photograph, the | caught up in color, and it becomes merely |
| more you realize what can be photographed | decorative. Some photographers use [ it ] |
| and what can't be photographed. You just have | brilliantly to make visual statements combining |
| to keep doing it. - Eliot Porter | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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