| My own eyes are no more than scouts on a | It is not the language of painters but the |
| preliminary search, for the camera's eye may | language of nature which one should listen to. |
| entirely change my idea. - Edward | . . . The feeling for the things themselves, for |
| Weston | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Once photography enters your bloodstream, |
| artist, but the impulse it gives him to keep on | it's like a disease. - Anon |
| looking. - Brooks Anderson | |
| | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
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Charlotte |
Montgomery |
Seattle |
San Antonio |
Milwaukee |
San Mateo |
Green Bay |
Chula Vista |
Mount Olive |
Watertown |
Stevens Point |
New Bedford |
Concord |
Manistique |
Hacienda Heights |
Trenton |
Hartland |
Alameda |
Yanceyville |
Brooklawn |
Newark |
Big Stone Gap |
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| You learn to see by practice. It's just like | Memory is very important, the memory of |
| playing tennis, you get better the more you | each photo taken, flowing at the same speed |
| play. The more you look around at things, the | as the event. During the work, you have to be |
| more you see. The more you photograph, the | sure that you haven't left any holes, that you've |
| more you realize what can be photographed | captured everything, because afterwards it will |
| and what can't be photographed. You just have | be too late. - Henri Cartier Bresson |
| to keep doing it. - Eliot Porter | |
| | Photography records the gamut of feelings |
| I think the best pictures are often on the edges | written on the human face, the beauty of the |
| of any situation, I don't find photographing the | earth and skies that man has inherited and the |
| situation nearly as interesting as | wealth and confusion man has created. |
| photographing the edges. - William Albert | - Edward Steichen |
| Allard | |
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